Archive for the ‘Director Darren Aronofsky’ Tag

Aronofsky Drops Out Of The Wolverine. My Dream Film Takes A Shot In The Nuts. Hard.   Leave a comment

Hey Everybody,

Something that has been in the trades for weeks now is director Darren Aronofsky will no longer be helming the Wolverine sequel for Twentieth Century Fox.

I can’t remember when any news about a movie has filled me with such disappointment and sadness. I was so looking forward to the Wolverine Japan story line to be handled by someone special and when it was announced that Aronofsky was helming the project I felt as a fan of the character I had hit the jackpot on talent as far as director. With Christopher McQuarrie’s script it was on track to being an epic Marvel film. Now who know the fate of the project as far a director.

In a statement issued by the studio, Aronofsky said, “It became clear that the production of The Wolverine would keep me out of the country for almost a year. I was not comfortable being away from my family for that length of time.” (The film was reportedly going to be shooting in Japan) “I am sad that I won’t be able to see the project through, as it is a terrific script and I was very much looking forward to working with my friend, Hugh Jackman, again.” Twentieth Century Fox echoed Aronofsky’s regret: “While we are of course disappointed that Darren can’t do The Wolverine, we also understand and respect his reasons … Hugh Jackman and Fox both remain fully committed to making The Wolverine. We will regroup and move forward aggressively.”

So there you have it. I’m scared to death about who Fox chooses to replace Aronofsky. No matter who steps into the directing seat on this one has got a lot stacked against them. Living up to the artistry that Darren brings to every film is near impossible to duplicate. Another strong minded artist is what the project needs at this point, I’m really hopping we don’t get a X3 type treatment again. Continuous rapping of my favorite Marvel character by Fox is getting extremely tiresome. I see more pain in my viewing future..

RIP “Darren Aronofsky’s The Wolverine”.

Till Next Time. Stay Tuned.

J.

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Oscar Nominations 2010. In Case Anyone Gives A S#!t Anymore   1 comment

Hey Everybody,

The 83rd Annual Academy Award nominations have been announced, in case anybody really cares anymore. I find the Oscars depressing sometimes, and so obviously political in many years past. Once in a while the Academy come through with some interesting and right choices, mostly it’s a way too long TV special that leaves you scratching your head as to the decisions the people who are voting for these awards make.

Saying that, there are some great filmmakers, actors, technicians and films I really love up for lots of awards this year. “The King’s Speech”  and “True Grit” lead the pack with twelve and ten nominations respectively, followed by “The Social Network” and “Inception” with eight each.

Also  “The Fighter” with seven, “127 Hours” with six, “Toy Story 3” and “Black Swan” with five, and “Winter’s Bone” and “The Kids Are All Right” with four.

Here’s the Full  list:

BEST PICTURE
“127 Hours”
“Black Swan”
“The Fighter”
“Inception”
“The Kids Are All Right”
“The King’s Speech”
“The Social Network”
“Toy Story 3”
“True Grit”
“Winter’s Bone”

ACTOR IN A LEADING ROLE
Javier Bardem for “Biutiful”
Jeff Bridges for “True Grit”
Jesse Eisenberg for “The Social Network”
Colin Firth for “The King’s Speech”
James Franco for “127 Hours”

ACTRESS IN A LEADING ROLE
Annette Benning for “The Kids Are All Right”
Nicole Kidman for “Rabbit Hole”
Jennifer Lawrence for “Winter’s Bone”
Natalie Portman for “Black Swan”
Michelle Williams for “Blue Valentine”

DIRECTING
Darren Aronofsky for “Black Swan”
David O. Russell for “The Fighter”
Tom Hooper for “The King’s Speech”
David Fincher for “The Social Network”
Joel & Ethan Coen for “True Grit”

ACTOR IN A SUPPORTING ROLE
Christian Bale for “The Fighter”
Mark Ruffalo for “The Kids Are All Right”
Geoffrey Rush for “The King’s Speech”
Jeremy Renner for “The Town”
John Hawkes for “Winter’s Bone”

ACTRESS IN A SUPPORTING ROLE
Amy Adams for “The Fighter”
Helena Bonham Carter for “The King’s Speech”
Melissa Leo for “The Fighter”
Hailee Steinfeld for “True Grit”
Jacki Weaver for “Animal Kingdom”

FOREIGN LANGUAGE FILM
“Biutiful” – Mexico
“Dogtooth” – Greece
“In a Better World” – Denmark
“Incendies” – Canada
“Hors la Loi” (“Outside the Law”) – Algeria

ANIMATED FEATURE FILM
“How To Train Your Dragon”
“The Illusionist”
“Toy Story 3”

SCREENPLAY (Adapted)
Michael Arndt for “Toy Story 3”
Simon Beaufoy & Danny Boyle for “127 Hours”
Joel & Ethan Coen for “True Grit”
Aaron Sorkin for “The Social Network”
Debra Granki, Anne Rosellini for “Winter’s Bone”

SCREENPLAY (Original)
Mike Leigh for “Another Year”
Lisa Cholodenko, Stuart Blumberg for “The Kids Are All Right”
Christopher Nolan for “Inception”
David Seidler for “The King’s Speech”
Scott Silver, Paul Tamasy, Eric Johnson, Keith Dorrington for “The Fighter”

ART DIRECTION
“Alice in Wonderland”
“Harry Potter and the Deathly Hallows: Part One”
“Inception”
“The King’s Speech”
“True Grit”

CINEMATOGRAPHY
“Black Swan”
“Inception”
“The King’s Speech”
“The Social Network”
“True Grit”

COSTUME DESIGN
“Alice in Wonderland”
“I Am Love”
“The King’s Speech”
“The Tempest”
“True Grit”

DOCUMENTARY FEATURE
“Exit Through the Gift Shop”
“Gasland”
“Inside Job”
“Restrepo”
“Waste Land”

DOCUMENTARY SHORT SUBJECT
“Killing in the Name”
“Poster Girl”
“Strangers No More”
“Sun Come Up”
“The Warriors of Qiugang”

FILM EDITING
“127 Hours”
“Black Swan”
“The Fighter”
“The King’s Speech”
“The Social Network”

MAKEUP
“Barney’s Version”
“The Way Back”
“The Wolfman”

MUSIC (SCORE)
A.R. Rahman for “127 Hours”
John Powell for “How To Train Your Dragon”
Hans Zimmer for “Inception”
Alexandre Desplat for “The King’s Speech”
Trent Reznor and Atticus Ross for “The Social Network”

MUSIC (SONG)
‘Coming Home’ from “Country Strong”
‘I See the Light’ from “Tangled”
‘If I Rise’ from “127 Hours”
‘We Belong Together” from “Toy Story 3”

SHORT FILM (ANIMATED)
“Day & Night”
“The Gruffalo”
“Let’s Pollute”
“The Lost Thing”
“Madagascar, a Journey Diary”

SHORT FILM (LIVE ACTION)
“The Confession”
“The Crush”
“God of Love”
“Na Wewe”
“Wish 143”

SOUND EDITING
“Inception”
“Toy Story 3”
“Tron: Legacy”
“True Grit”
“Unstoppable”

SOUND MIXING
“Inception”
“The King’s Speech”
“Salt”
“The Social Network”
“True Grit”

VISUAL EFFECTS
“Alice in Wonderland”
“Harry Potter and the Deathly Hallows: Part One”
“Hereafter”
“Inception”
“Iron Man 2”

I’m really hoping that Aronofsky takes home an Oscar for directing Black Swan, but I’m pretty sure it will be Fincher for The Social Network  or The Coen Brothers for True Grit; Which is great either way as far as I’m concerned, love all these director works. I’m thinking Natalie Portman will take home the Best Actress Oscar, Colin Firth will take home the Best Actor  for “The King’s Speech”(once you see his performance, you’ll see it’s a lock for him to win.).

Best Supporting Actor will most likely go to Christian Bale for “The Fighter”, Best Supporting Actress is too close for me to call, but 14 year old Hailee Steinfeld in “True Grit” holds her own beside Jeff Bridges brilliant acting chops without showing any sign of actual acting, a phenomenal performance for a young teenager.

Toy Story 3 will win Best Animated Feature, Adapted Screenplay will most likely be either Joel & Ethan Coen for True Grit or Aaron Sorkin for The Social Network, Original Screenplay David Seidler for The King’s Speech or Scott Silver, Paul Tamasy, Eric Johnson, Keith Dorrington for “The Fighter”, I’m thinking The Fighter might not win just because it would be just too much money to give all the writers Oscars.

I’m sure Inception will be a winner in most of  the technical awards, cinematography, sound editing and mixing, visual effects, and possibly art direction . Black Swan or True Grit might rival in cinematography.

Most of the rest is up in the air for me. I’m notoriously bad at “calling” the winner of the documentary, short films and foreign film categories, but I’m usually pretty close with the other ones. We’ll see how it pans out in February 27th. Place Your Bets.

Till Next Time. Stay Tuned

J.

Posted January 27, 2011 by JMC in Film School Loser Talks Too Much, Latest And The Greatest

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Holiday Movie Watch List and Review Day 4 : December 22st 2010   Leave a comment

DAY FOUR : DECEMBER 22nd 2010

Hey Everybody,

This time of the year for me means constant consuming of movie content all day every day. Now those of you who know me might wonder how this differs from my daily life in any way. Regardless I use the holiday lull to catch up on what I may have missed or re watching my favorite classics, mostly on Blu-Ray this year which is a great joy for me. It’s like re living the first viewing of all my favorites and classics alike. I hope everyone is enjoying the Holiday season and able to get into some good movies on your break.

  1. THREE COMPANY Season 3 Episode 16 “the catered affair” (original air February 6th 1979) & Episode 17 “the catered affair” (February 13th 1979) – Re-watching all the old shows from when I was a kid is an interesting experience. Finding some that hold up well and some that don’t. Three’s Company is as funny now as I found it so many years ago, reminding me a bit of the 50’s screwball comedies, classically American. By the third season the combo of John Ritter, Joyce Dewitt and Suzanne Somers had really hit their stride on camera, even if the behind the scenes of the show at this time were in complete turmoil between the main cast. It still plays great and the jokes are at their best, Ritter was really a genius far before his time, every time he falls over. steps on something wrong, bumps into a wall, pretty much any physical comedy he does sends me into great joyous laughter or at very least a good giggle. A good start to another great day  in video paradise.
  2. WKRP IN CINCINNATI Season 4 Episode 14 “Jennifer and Jonny’s charity”(original air February 3rd 1982) & Episode 15 “I’ll take romance”(original air February 17th 1982) – Another of my favorite comedy series and one that get better with time. Howard Hesseman is always show stealing as Dr. Johny Fever and the rest of the ensemble comedy cast consists of Gary Sandy, Gordon Jump, Loni Anderson, Tim Reid, Jan Smithers, Richard Sanders and, Frank Bonner as Herb Tarlek, all employees at a down and out radio station in Cincinnati that switches to an all rock and roll format as a last ditch effort to save the station and make it profitable again.  If you haven’t seen the show in awhile you might want to revisit the quirky radio station for a few classic American laughs. I love it.
  3. 1979 ALIEN: DIRECTOR’S CUT Blu-Ray (2003) director Ridley Scott – “We ain’t outta here in ten minutes, we won’t need no rocket to fly through space.” It amazes me that the first Alien, even after over 200 viewings, only gets better with age. At 31 years old, it looks crisp, clean and moody as ever on the brilliant Blu-Ray transfer that Fox has graced us with this holiday season. I still maintain that this film is the best in the series (sorry Kruk, Aliens a very close second), it raised the level of the genre and cemented Ridley Scott as a forced to be reckoned with in the feature directing game (only his second feature). His eye is one of the best in the business for art direction details and it shows in High Def better than ever. Alien was one of the most perfectly art directed film in history, and still is. A stunning disc of a stunning film. Thank you Fox for filling my X-Mas with so much xenomorph love.
  4. THE FAMILY STONE (2005) director Thomas Bezucha – The first evenings feature follows an uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family’s annual Christmas celebration and finds that she’s a fish out of water in their free-spirited way of life. A stellar ensemble cast including Rachel McAdams, Claire Danes, Luke Wilson, Sarah Jessica Parker, Diane Keaton, Dermot Mulroney and Craig T Nelson in a heart warming “real type” American family holiday film. It’s much better than you think, you laugh, you cry, you think. Shit, it engaged my brain 10 times more than Transformers 2 did. Thinking for a half second, that’s not saying much, but really it is very good.
  5. ROBOT CHICKEN:STAR WARS (2007) director Seth Green – Emperor Palpatine: “What?… Oh, oh, “just rebuild it”? Oh, real fucking original. And who’s going to give me a loan, jackhole, you?… You got an ATM on that torso Lite-Brite? Now get your seven-foot-two asthmatic ass back here, or I’m going to tell everyone what a whiny bitch you were about Padama-may or Panda Bear or whatever the hell her name is!… ”
    [covers receiver]
    Emperor Palpatine: “Oh, jeez, he’s crying!”                                                                                             The perfect late night sushi dinner viewing. So so funny, loving me the Robot Chicken.
  6. BLACK SWAN (2010) director Darren Aronofsky – I always look forward to the next Aronofsky project. He’s one of the few director working today that I have an artistic crush on. Every film he makes I end up loving it far more than I had imagined going in. Black Swan is no different. I’ve heard a number of people simply dismiss this as a chick flick with a twist, telling me to make sure I bring my girlfriend so I’m not bored. Well I have news for all of you haters out there, My long time girlfriend Angela hated this shit, bored to death. I on the other hand, was quite taken with the visuals and pacing of the piece, I really enjoyed it and was quite engrossed. With out wrecking too much of the plot I would equate the feel and pacing of this picture with late 60’s early 70’s physiological thriller stuff like Rosemary’s Baby.  I feel that the real underlying theme of this movie that most will miss on the first viewing is the amount of pressure that artists put on themselves to excel at their craft and the way that the creative mind deals with this type of stress. A great film for any artist serious about their art. And so we end another great day of viewing films, many more videos to watch and two days left to find out what Santa will bring. Happy viewing.

TILL TOMORROW. STAY TUNED.

J.

Balls Are A Tinglin!!! Fox Makes My Dream Aronofsky Directed Wolverine Movie a Reality?   1 comment

Hey Everybody

So, here we go… Looks like after a few months of rumors with no solid answers on who will direct Wolverine 2,  Hugh Jackman finally dropped the hammer and confirmed it for us.

Come 2012 we all get to see a Darren Aronofsky directed Wolverine movie based on the Chris Claremont/Frank Miller Japan story line, written for the screen by The Usual Suspects writer Christopher McQuarrie. If that doesn’t get all fanboys balls tingling, I’m not sure you know who any of these people are I’m talking about,  or maybe you’ve never heard of Marvel comics? Anyway…

Wow, I’m loving 20th Century Fox right now. Who would of ever thought I would be saying that again?
In a recent impromptu interview at Elton John’s Enduring Vision gala on Monday night, Jackman announced that he’s getting physically ready to start shooting next year, alongside director Aronofsky.

Quotes from NY Magazine:
“Expect to see four chicken breasts and a whole pile of steamed broccoli on my plate,” he told us. “I’m starting; I’m having my six meals a day.” With Darren Aronofsky directing, he says that Wolverine 2 will not be a “usual” X-Men movie: “This is, hopefully for me, going to be out of the box. It’s going to be the best one, I hope,” he said, and then paused. “Well, I would say that, but I really do feel that, and I feel this is going to be very different.”

Also, Jackman doesn’t think that Aronofsky’s penchant for dark drama is at odds with the big-budget action franchise. “This is Wolverine. This is not Popeye. He’s kind of dark,” Jackman said. “But, you know, this is a change of pace. Chris McQuarrie, who wrote The Usual Suspects, has written the script, so that’ll give you a good clue. [Aronofsky’s] going to make it fantastic. There’s going to be some meat on the bones. There will be something to think about as you leave the theater, for sure.”

The studio has not officially announced this news yet, but chances are Jackman has a big say in the decision and would not break the news unless Aronofsky was actually on board. If this movie  makes it to screen, it will be one of my dream pairings for director/project of all time. I grew up on X-Men and Wolverine comics, and I still have the single comic issues of the Claremont/Miller Japan story. I have read it more times that almost any other Marvel story and think Aronofsky has the potential to make an amazing film with the material. Something that will last for decades and raise the bar of the genre. That is unless Fox decides to fuck it all up and force the film into a stupid direction, much like the first one ended up by the last scenes.

The expectations seems to be getting very very high for Wolverine 2. Hopefully Fox can deliver something special this time out. I’m crossing my fingers that “the powers that be” at the studio let Aronofsky’s mind work his magic in the Marvel universe. Let’s hope people, let’s hope.

Good Luck To Darren Aronofsky From Everyone At Celluloid Pop Culture Junkie. We’re All Rooting For You Here. Now Go Kick Some Ass.

Till Next Time. Stay Tuned.

J.

Wolverine 2 director rumors look promising, but again it is a Fox Marvel movie.   Leave a comment

Hey Everybody,

Before you start this article has some major ranting about the quality of Fox Studios Marvel Movies no holds bared, colorful language and all. You’ve been warned, feel free to read on.

Oh no 20th Century Fox, here we go again….

I’ve been a pretty big comic enthusiast since I was a kid, Wolverine, X-Men, Fantastic Four and Daredevil were among my favorites as a lad. In the last decade 20th Century Fox has continually butchered the best and most epic Marvel story lines with few exceptions.

(2003) Fuck Up # 1-Daredevil- Director Mark Steven Johnson started with Frank Miller’s brilliant Dardevil stories and $90 million dollars, which  turned into a bad action movie with one dimensional characters, shitty CG and a complete raping of the love story between Electra and Matt Murdock which completely negates the death of Electra in the third act of the movie. Why should audience care about a relationship which started a few days before, instead of the way Miller originally wrote it? ( a long passionate”love of a life time” college romance that ended because of Electra’s father taking her away only to meet again more than a decade later in the battle field of the marvel universe) The death of Electra in the comics is raw,emotional, and plainly, EPIC.

(2005) Super Fuck Up #2- Fantastic Four- I was really looking forward to this one when I heard they were finally making it. I started to get frightened after hearing really bad casting news and a director that on the shoot hadn’t actually fully read any of the original origin comics which the movie was based on. ( I had more than 50 friends who worked on the production here in Vancouver BC Canada and they were amazed how little the director cared about the source material) Tim Story shouldn’t have been directing a comic book movie based on a comic he obviously didn’t give a shit about. So what does Fox do? Give him a sequel to fuck up as well. Which brings us to…

(2006) Big Dick Contest #3- X3:Last Stand- Now after Fan 4 I thought it couldn’t get any worse. Fox pissed on my first favorite Marvel Comic team. At least Brian Singer put together a few good X men movies. X2 set up the Dark Phoenix nicely with the last shot of that film. I was excited for X3 after that last scene, finally I was going to get to see a big screen Dark Phoenix Saga story. Then Brian Singer and Fox has a few differences of opinions on what his salary should be, so he left to do Superman Returns. The release date for Superman gets announced and Fox, a week later puts X3’s release the same date with no script, few or no major cast members signed and no director attached. Sounds like the way to treat your best preforming franchise.  Now at this point Fox does lured in Matthew Vaughn to take the directing reins (Layer Cake, Stardust,Kick Ass). He some how gets Kelsey Grammer to sign on to get in full make up for over a hundred days shoot, to play Hank McCoy/Beast (great casting),  the unsigned major cast sign on to the movie at far less than their regular salaries and puts together some direction to take the production, all in a month or so.

With no cohesive script or story direction Vaughn asked Fox to push back the release date considerably to be able to focus more on the story quality. Fox’s response was, NO FU@KING WAY!!!  So a hard, but right decision was made and the production was again without director, scheduled to go to camera in less than three months. With no real script, a great cast signed and set being build here in Vancouver they did what a mental patient on mushroom would do, bring on Brett Ratner to direct the film or to shit in loyal fans mouths depending on how you look at it. A guy who is more concerned that the waitress knows who he is and that he is directing X men 3 than anything to do with the movie he is directing. Not showing up for shooting for a few days with no one knowing where he was, 220 crew plus getting payed to drink coffee. Not to mention kill the best story line in the Marvel universe in my opinion by making the Dark Phoenix a bad D side plot. Fuck Me !(Now before you ask how I know these things, I had many friends that worked on this picture and was working with Fox at the time on another picture in Vancouver. I had many many conversations with the heads of Fox about Ratner and his attitude towards the picture) He didn’t give a shit obviously by the end result. Total shit storm of epic proportions. If you know the X-Men story lines from the comics you know the missed opportunity here, the people who made the movie still don’t. What Stupid Heads.

(2007) Super Fantastic Fuck Up #4- Fantastic Four 2:Rise Of The Silver Surfer- Besides the execution of the Silver Surfer flying effect, the movie was a complete shit fest. All of a sudden they attempt to fix the look of all the character that were criticized for being too unlike the comic. The Blond hair/ blue eyes on Alba, Dr. Doom’s suit changes. But the biggest embarrassment to the production design is the cloud that is in place of Galactus, a giant alien being that devours worlds . The fight between the giant super being and the Fantastic Four team in the comic is again epic in scale. The entire world is at stake and the silver surfer is the key. A really great read, a huge disappointment in the translation to  the movie and frankly a slap in the face to Stan Lee and Jack Kirby’s original vision and story. Tim Story and Fox should be very embarrassed about these movies. An utter shit sandwich.

(2009)A Hundred and Forty Million Dollar Limp Dick #5- X-Men Origins: Wolverine- If it wasn’t for Huge Jackman as Logan, Liev Schreiber as Victor Creed aka Sabertooth and the small part that Ryan Reynolds Dead Pool got to play before fucking  him up, this movie would have been border line unwatchable. I love the World War 2 opening(wish there was more of that era) and the ideas of how old Logan and Victor’s relationship really is, but for a movie that cost $140 million dollars the technical mistakes take you out of the story enough to make it annoying to watch. Terribly obvious CG actor doubles, bad green screen back grounds that look like temp plates are the worst of this. You really want this story to work while you are watching it despite all it’s flaws, mostly because Jackman understands how to play the Wolverine character that has made him a action star and he’s a great actor making non existent material feel like it is going some where. But unfortunately it really doesn’t ever go any where good after about 45 minutes in, the last fight with Reynolds Dead Pool is a pile of steaming shit (for the record Dead Pool never got Scott Summers “laser vision” or was his mouth ever covered over to stop his shit talking)  even if you don’t know the proper comic story line, it feels like a tagged on ending trying to up the action of the picture that lags in story content, and frankly lacked any kind of real ending.

Which brings us to the story of at hand…

(2011) Wolverine 2- There is a screenplay based on the Frank Miller/ Chris Claremont’s four part comic mini series from screen writer Christopher McQuarrie (The Usual Suspects, Way of The Gun, Valkyrie) which takes Wolverine to Japan. This is a great story line and McQuarrie is a talented writer capable of delivering the goods. The most interesting news it the last two candidates rumored to be up for the directing gig. David Slade (Hard Candy, 30 Days of Night, Eclipse) and Darren Aronofsky ( Pi, Requiem For a Dream, The Fountain, The Wrestler, Black Swan).

I’m hoping that we get us an Aronofsky directed Wolverine picture. That would be a dream at this point. Maybe Fox will make the right decision on this one. Mathew Vaughn is back at Fox shooting X-Men First Class right now, which sounded like a horrible idea until he came on board as director. Now it seems to be one to look out for.

Keeping my fingers crossed for Aronofsky and Jackman to pair up again and end this lack of story focus and proper directing talent paired with the right project at 20th Century Fox. There’s still the reboot of Daredevil and Fantastic Four to worry about. What chumps do they have lined up this time. Only time will tell.

more to come soon.

J.
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Trailer For Aronofsky’s BLACKSWAN Hits Online   Leave a comment

Hey Everybody,

Darren Aronofsky (Pi, Requiem For A Dream,The Fountain,The Wrestler) has been one of my favorite directors for over a decade now.

From his first feature film Pi in 1998 I’ve been captivated with his story telling style. Every film that he’s made from then on I’ve seen in the theater and re watched on video several times each, and they always deliver for me.

His latest film is a Polanski-esk suspense thriller starring Mila Kunis, Natalie Portman. The set up is Portman as a prima ballerina and Kunis is her rival, or is she imagining things. With a rumored lesbian make-out scenes between the two I’m sure some geeks brains might be exploding come December 1 st 2010.

Check out the trailer  which just hit the net today:

Looks pretty dam rad. I love suspense horror when it’s done well, and guaranteed Aronofsky will do it well.

Stay Tuned, More To Come

J.