My 15 Most Super Special Fantastic Favorite Film Noirs That All Film Connoisseurs Should Soak Up And Love Like A Fine Wine – Part 5 of 5   1 comment

Hey Everybody,

June this year marked our first anniversary here at Celluloid Pop Culture Junkie.  So to celebrate that occasion we’re re-watching my 15 must see film noirs and inviting you all to do the same, possibly to discover a new world of cinema gold you never knew existed; And I’m betting some of you will be blown away by the pure awesomeness of these films.

For the purpose of these articles we are going to be looking at the classic “Film Noirs” by definition, starting in the early 40’s spanning to the late 50’s; Slow exposure black and white film cinematography with strong shadows rooted in silent German expressionist films and stories derived mostly from anti-hero crime fiction of the great depression era . Really the term “Film Noir” wasn’t even adopted in America till the 70’s, many of the classics were referred to as Melodramas by US film historians and critics during their initial run. However the term was first used to describe Hollywood films in 1946 by a French critic Nino Frank.Believe it or not, there still is a debate amongst film enthusiasts and scholars alike whether “Film Noir” is an actual distinct genre within itself or not. In all honesty, who really gives a shit? It’s like arguing who the best captain on Star Trek was, it’s a stupid question that’s never ever going to get you laid. So forget it already and just enjoy the actual films with some sort of companion if possible. Now here are some great unforgettable pictures that everyone who loves the movies should see.

If you decide to give any of these a viewing,  you’ll find something to fall in love with and will want to turn other humans onto for the rest of your life. I’m not going to rate where these stand in my opinion until the top 6, so the first few articles will be a general “must see” on my list for everyone.  You will not be disappointed in any of the following films. All are super dupper cinema gold. Thanks to everyone who’s been following these articles and the blog. I’m sorry it took me so long to finish up this but so many changes in my life right now has side tracked me a bit, but finally here is my top 3 Super Special Fantastic Favorite Film Noirs That All Film Connoisseurs Should Soak Up And Love Like A Fine Wine.

#3-The Killing (1956) director Stanley Kubrick-At 27 years old Stanley Kubrick came to Hollywood to make his third feature film. This was the first time he had a real budget, full crew of experienced technicians and veteran actors that brought something special to the dialog and character that was written on the page. Even at this young age as a director Kubrick ruled the production with a superior studied technical knowledge. My absolute favorite story about the films production is about the first set up on the first day Kubrick told his Oscar winning director of photography Lucien Ballard the set up and shot he wanted with lens choice and position of the camera. After he had gone off to talk to the actors about the scene he had noticed that Lucien had put the camera and dolly track much closer than he had told him, also putting on a wider lens than requested. So,  Kubrick went over and asked him what he was doing.  The DP told him that it really didn’t matter about the exact position of the camera and he had set the shot up to make it easier for the focus puller and crew to execute the shot with the same effect. On top of that he said that the set up didn’t really change the perspective at all. Kubrick long being an expert photographer knew this was total bullshit and calmly asked Ballard to put the camera and dolly where he had asked for it, put the proper lens on or get off his set. And Kubrick was totally right on the matter. Even at this young age he gave us a brilliant race track robbery film that uses the “same story told from different views and characters” approach( like Kurosawa’s Rashomon before it). The mastery of light is very apparent at this point as well. Great shadows and atmosphere bring the film alive around a great cast of great Hollywood character actors. Lots to love and learn from this picture. Kubrick’s films and life are a true obsession with me and doesn’t look like it’s changing any time soon. Even his early films are something of greatness in themselves and only get better with multiple viewings, always seeing new things. LONG LIVE THE CULT OF KUBRICK.

  • #2- The Lady From Shanghai (1947) director Orson Welles- Watching any Orson Welles film always feels like you’re in for a unique experience. One thing Welles had said in interviews in the late 70’s that he realized around and after the production of Lady from Shanghai, “that being so ahead of your time in Hollywood really means,  you’re in trouble” . Having almost an hour cut out of any film by a studio obviously changes it completely. The fact that The Lady From Shanghai was a huge bomb, everyone hated it at the time and no one could even look Orson in the eyes when the subject came up amongst his peers , partly prompted him to leave Hollywood for a number of years in favor of work in Europe.  The cut of The Lady From Shanghai we have on DVD, is  just under an hour and a half  and I still think it’s my favorite picture Welles directed. Just imagining the full cut fills me with such awe and wonder because with the film we have today I enjoy every part of so much and never figure it could be any better.   I love the way it’s shot, odd angles, deep blacks, slow black and white film and amazing locations.  All the weird off beat characters always seem to be playfully sinister and feel “real” in that great movie way. Rita Hayworth plays the perfect gorgeous dark predator/ damsel in distress role, paired with Welles worldly tough guy sailor sucker, the story engages you like very few newer movie can today. This for me has been watched 5-6 time a year minimum since I discovered it about 18 years ago. Just can’t get enough of the Orson Welles classics. My hope is that the Blu-Ray for this is treated with plenty of care by the studio that owns it  (which I think is Sony/Columbia). Other wise I’d check it out ASAP if you have never seen this one and love the classics, this is one of the best no question..
  •  #1-White Heat (1950) director Raul Walsh- When I had first come to viewing White Heat I was in a place where I had seen way to many mediocre classic films. Working at a video store as a teenager I found myself picking whole sections of the store to view from A-Z and watching every single film on the shelf in alphabetical order. While I was in the classic cinema section getting to W was some what of a chore, having to go though a few months of viewing with only finding a handful of particularly great works. Then upon watching White Heat I woke up in a big way, finally realizing why James Cagney is considered one of the best actor ever to grace the screen and where some of my favorite gangster films had ganked a large portion  of their DNA from. If the Gangster picture is your thing, this is required viewing and you will thank me for turning you on to this super charged classic noir.  Director Raul Walsh takes his cast through one of the tightest fastest running stories in the classic genre, with great shots and an ending that could be the best for any anti-hero in film history, this is what great cinema is all about. I’m really looking forward to the Blu-ray of this title as well, Hoping it gets the attention in restoration it deserves, because I’ll be watching it for many years to come.  Told You I’d Make It, Top Of The World Ma!

Till Next Time. Stay Tuned.

J.

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One response to “My 15 Most Super Special Fantastic Favorite Film Noirs That All Film Connoisseurs Should Soak Up And Love Like A Fine Wine – Part 5 of 5

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  1. Very useful post. It was very useful. I was searching exaxtly for this. Thank you for your effort. I hope you will write more such interesting posts.

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